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Sculptural Objects:AssemblagesMy career offered me a variety of opportunities, many limitations and little continuity of time. Therefore, my three-dimensional work is ecclectic. My sculptural work cannot be identified in connection with one medium or technique, but through a sensibility perceived transcending many media. Here, I enjoy collage and assemblage. Juxtaposition and the inherent quality of materials creates unique associations and meanings that exist in neither object independently. As in mathematics, for instance, we can make an assumption, as in: "Let's let one plus one equals equal three...". In art, this is possible. Not in Math or science. |
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| ..........Metamorhosis: Of this (2005), ..........Found objects |
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| ..........Metamorphosis: Frog (2005), ..........Cast bronze, found objects |
There are many "impossible" questions being asked in physics and math. To be simple, an impossible question can be demonstrated with the riddle of the Barbar of Seville. First we pose two assumptions:
These ways are similar to how artists finds new meanings. In art, fallacies can exist for entirely surprising meanings, as in ironies, puns or metaphors. | |
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| ..........Mutation (2005), ..........Painted wood | |||||
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My interest in the mysterious roots of my family, both Greek and Polish, has also led me to searching back in time through family records recorded by clergy and state officials. This led me further to testing my DNA and thinking about mutation and evolutionary change, imagining life's monumental history of simply becoming and being. |
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| ..........Gauging the Metaphor (detail) (2005), ..........Found objects | |||||
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| ..........Gauging the Metaphor (2005), ..........Found objects | |||||
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